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<channel>
	<title>Ian Barker &#187; free verse</title>
	<atom:link href="http://omahapoet.com/tag/free-verse/feed/" rel="self" type="application/rss+xml" />
	<link>http://omahapoet.com</link>
	<description>Poetry and prose</description>
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			<item>
		<title>So this is what we&#8217;ve become</title>
		<link>http://omahapoet.com/poetry/so-this-is-what-weve-become/</link>
		<comments>http://omahapoet.com/poetry/so-this-is-what-weve-become/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 13:06:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=630</guid>
		<description><![CDATA[So this is what we’ve become.
Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm down”.
A plastic-propped peep into a better life where everyone is shiny and the right machine can [...]]]></description>
			<content:encoded><![CDATA[<p>So this is what we’ve become.</p>
<p>Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm down”.</p>
<p>A plastic-propped peep into a better life where everyone is shiny and the right machine can make you God’s own barista without even having to watch the accompanying DVD box set.</p>
<p>All on the never never.  ’til the never becomes the now.</p>
<p>In a surge of nature versus big business our crude seas wash over us in an endless tide of promises and slicked birds who drown in the failures of our present way of life.</p>
<p>In the background; an urgent pitch to call now and pay nothing for twelve months.  A lesson unlearned.</p>
<p>In the foreground; stands a poet working out the best way to perform the Heimlich maneuver on a dog whilst he waits for his toast to turn tan.</p>
<p>So this is what we’ve become.</p>
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		</item>
		<item>
		<title>Run the other way</title>
		<link>http://omahapoet.com/poetry/run-the-other-way/</link>
		<comments>http://omahapoet.com/poetry/run-the-other-way/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 18:46:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[anti-war]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[patriotic]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=617</guid>
		<description><![CDATA[For a special kind of people&#8230;
To the sound of screaming,
turns the eyes and the ears of the ordinary
agape in horror at the desperation of a jumper
as he splashes through the glass
fixing a final flickering gaze on tear-welling faces who,
with tightened lips let pass a whimper &#8220;oh no, oh no oh no&#8221;.
The rain of rock crashes [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2001/09/12/nyregion/12RESC.html" target="_blank"><i>For a special kind of people&#8230;</i></a></p>
<p>To the sound of screaming,<br />
turns the eyes and the ears of the ordinary<br />
agape in horror at the desperation of a jumper<br />
as he splashes through the glass<br />
fixing a final flickering gaze on tear-welling faces who,<br />
with tightened lips let pass a whimper &#8220;oh no, oh no oh no&#8221;.<br />
The rain of rock crashes chase away trivial reality,<br />
the lattes, the must-do meetings,<br />
the synchronization of calendars<br />
in a kerosene flash; thanks to religious brutality.<br />
There, urgent amongst the<br />
surging clouds are those in<br />
black turned gray.  Gold-hatted<br />
knights who shout for your own good.<br />
Scared like the brokers,<br />
fathers like the chairmen,<br />
rushing like the insurers<br />
but they choose to run the other way.</p>
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		</item>
		<item>
		<title>I often pause to think of others</title>
		<link>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/</link>
		<comments>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:33:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[romantic]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=598</guid>
		<description><![CDATA[Click this text to hear Alex read this poem
I often pause to think of others.
Like the couple on Beak Street I saw leaning
in against the March wind, pinching
still-fitting 1970&#8217;s smeary gabardine
mackintoshes around them like over-stuffed
sausage casings.
He; gaunt and with that sunken on-the-way
from this life look, she; rotund and
waddling with cheap home perm flattened
under a clear [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/Ioftenpausetothinkofothers.mp3">Click this text to hear Alex read this poem</a></p>
<p>I often pause to think of others.<br />
Like the couple on Beak Street I saw leaning<br />
in against the March wind, pinching<br />
still-fitting 1970&#8217;s smeary gabardine<br />
mackintoshes around them like over-stuffed<br />
sausage casings.</p>
<p>He; gaunt and with that sunken on-the-way<br />
from this life look, she; rotund and<br />
waddling with cheap home perm flattened<br />
under a clear plastic penny market rain<br />
hood whilst her free hand drags a<br />
shopping trolley between them both like<br />
an unruly and unwilling square tartan-coated pet.</p>
<p>She chose to wear those opaque tan tights<br />
and they are so cliche, aren&#8217;t they,<br />
with her seen-better-days blue brogue comfortable shoes<br />
which shuffle shuffle and scuff along<br />
next to the groceries and the gray nearly-ghost.</p>
<p>He looks like a man who has resolved to<br />
hang on a day longer if he can, for her<br />
sake, or for someone&#8217;s sake if not hers.<br />
I&#8217;m sure it&#8217;s not for his.</p>
<p>His gaping-mouthed breath, like it<br />
must sound loud enough to startle although<br />
the bus window and the rattle of empty seats<br />
mask it from me, sucks his cheeks in and out<br />
with the effort and I see his eyes scrunch<br />
up unseen as he keeps up her pace which he taps<br />
out with a walking stick, stomp, stomp,<br />
stomp like he is grinding out cigarette butts<br />
with every step.</p>
<p>To where and why do they walk so painfully<br />
in this bouncing rain?  What are their<br />
names?  Is this yesterday&#8217;s sour wine of<br />
relationships I see through the dragon puff<br />
of diesel exhaust or a glorious culmination?<br />
Or perhaps mainly their reality, unpoetic and<br />
unremarkable except to someone like me who<br />
often pauses to think of others.</p>
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		</item>
		<item>
		<title>To be happy</title>
		<link>http://omahapoet.com/poetry/to-be-happy/</link>
		<comments>http://omahapoet.com/poetry/to-be-happy/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 18:47:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[nebraska]]></category>
		<category><![CDATA[omaha]]></category>
		<category><![CDATA[simple]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=591</guid>
		<description><![CDATA[To care means to open the blinds just enough
so my dogs can lie dozing with their coats brushed
by the Spring sunshine.
To love means my heart does little skips when I
look at my wife  and she hasn&#8217;t noticed I&#8217;m
looking so I can see the complex mixture of
browns that blend so perfectly to make the color
of her [...]]]></description>
			<content:encoded><![CDATA[<p>To care means to open the blinds just enough<br />
so my dogs can lie dozing with their coats brushed<br />
by the Spring sunshine.</p>
<p>To love means my heart does little skips when I<br />
look at my wife  and she hasn&#8217;t noticed I&#8217;m<br />
looking so I can see the complex mixture of<br />
browns that blend so perfectly to make the color<br />
of her eyes.  It makes me smile.</p>
<p>To be there means to make The Little Kid put on her<br />
Aztec hat, not because it makes her look cute, which<br />
it does, but because it stops her face getting red<br />
and puffy in the bitter wind, even though she looks sweet<br />
with those fluffy red cheeks.</p>
<p>To be at peace means to notice the snoring of the dogs<br />
as they lie stiff-legged in that sun, plush against the<br />
carpet and to smile, again, at the silly sounds a little dog can<br />
make whilst it sleeps.</p>
<p>To be happy means to take all of these things, live<br />
them fully and let them sink slowly into what makes me<br />
who I am right now; a happy man.</p>
<p>To be lucky means that I can tell you about them.</p>
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		<item>
		<title>Smoke</title>
		<link>http://omahapoet.com/poetry/smoke/</link>
		<comments>http://omahapoet.com/poetry/smoke/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 16:05:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[obscure]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=579</guid>
		<description><![CDATA[Sadhu Ronnie gapes and tokes, orange-robed with nut-brown
eyes.  Tilika vermillion riding his brow. Particles of swhirl;
white ashey smoke, rest, hanging, untouching the upturned hand,
pulsing to the ebb and flow breath; not controlled, not free of will.  
Liquid solid flows with the puff, ochre stripes washed
grey with the powdering of divinity.  The lines [...]]]></description>
			<content:encoded><![CDATA[<p>Sadhu Ronnie gapes and tokes, orange-robed with nut-brown<br />
eyes.  Tilika vermillion riding his brow. Particles of swhirl;<br />
white ashey smoke, rest, hanging, untouching the upturned hand,<br />
pulsing to the ebb and flow breath; not controlled, not free of will.  </p>
<p>Liquid solid flows with the puff, ochre stripes washed<br />
grey with the powdering of divinity.  The lines of his thoughts<br />
across his brow, deep and drifting, running over to wash the beckoning<br />
fingers of smoke&#8217;s fate, launching to drift on torrid<br />
currents of time and fickle happenings, thrown back and<br />
forth further and far from the loud &#8220;haaaaa&#8221; of the exhale.</p>
<p>Their prose and statuary, towering in their microscopic<br />
magnificance amongst the whisps of their fleeting existence<br />
unseen by those who did not look for them, breathed in to<br />
be a part of those who did not make them; even those who<br />
did not pause to question or care if they were likely to exist.</p>
<p>If, at that moment He should clap his hands or<br />
spin to attend to some other diversion they might<br />
scatter in the draught.  It&#8217;s a fact; you can&#8217;t unscatter<br />
smoke.</p>
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		<item>
		<title>Ice Scraper</title>
		<link>http://omahapoet.com/poetry/ice-scraper/</link>
		<comments>http://omahapoet.com/poetry/ice-scraper/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 20:44:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[nebraska]]></category>
		<category><![CDATA[omaha]]></category>
		<category><![CDATA[simple]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=556</guid>
		<description><![CDATA[Click this text to hear Alex read this poem
I woke gently, but all of a sudden today to
the sound of a cartoon voice singing rhymes
in a fake Manhattan accent.
The dark is hollow, lit by the sound of my snoring
dog which bounced off just-familiar walls and
rapped against the ice on the windows.  A
rumbling echo-locator beacon [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/ice-scraper.mp3">Click this text to hear Alex read this poem</a></p>
<p>I woke gently, but all of a sudden today to<br />
the sound of a cartoon voice singing rhymes<br />
in a fake Manhattan accent.</p>
<p>The dark is hollow, lit by the sound of my snoring<br />
dog which bounced off just-familiar walls and<br />
rapped against the ice on the windows.  A<br />
rumbling echo-locator beacon mapping the room.</p>
<p>The Omaha cold has a smell.  An aroma that you<br />
don&#8217;t get back in the nooks and crannies<br />
of British suburbia.  Over there the cold has an odour<br />
of rotten wool or skanky grey cardboard.  But here,<br />
here it is&#8230; incisive.  Like the edges of<br />
a pattern cut into a good quality glass.<br />
Etched.  Purposeful.  It tricks you like this.</p>
<p>And here the wind doesn&#8217;t nudge you about and<br />
flick playful flakes at you; it pinches your ears and<br />
slaps the raw open palm of its hand full and hard<br />
against your sore cheeks and tweaks the end of<br />
your nose to make it drip drip drip sniff.  </p>
<p>Home-coming is the sound of ruddy-faced people<br />
knocking the life back into gloved hands followed by<br />
the communion of banging boots free of snow that<br />
doesn&#8217;t melt.  Watching are hurrying snow plows<br />
littering dirty white drifts at every road junction;<br />
sullen funeral pyres where Nebraska&#8217;s December<br />
buries the bones of our long sweet lazy summer.</p>
<p>Up, with a cuddle for the roused snorer and a<br />
pat on the head for Toto&#8217;s double before I stitch<br />
myself into my great galumping snow boots and<br />
ram my &#8220;ear hat&#8221; down hard to thwart frostbite&#8217;s<br />
chances.  Fingers straight and stiff in waterproof<br />
gloves; required, essential &#8211; skin dies here in minutes<br />
if you let the swirl of the wind start to snack on it.  I kiss,<br />
check, keys, check and head Oates-like to the car.</p>
<p>Half-light twilight and the crackle of trees flexing<br />
nakedly in the chilling breeze that bites.  The blipper<br />
clunks the door locks and, with an OCD glance for the<br />
right park light, full red dial, full blast fan on; both<br />
heaters set to beat the ice away from the poor<br />
shivering windows.</p>
<p>So I begin to scrape away winter from your windshield.<br />
Methodically because that&#8217;s how my mind likes to do<br />
these things, the way I&#8217;m designed.  Square scrapes,<br />
neat edges, top to bottom.  The sound of the blade<br />
bounces off the garages and walls.  A rasping, juddering<br />
staccato cackle of frozen resistance. No bird sounds,<br />
no traffic noise; just me and the scraper and&#8230;<br />
that&#8230;<br />
damn&#8230;<br />
stubborn&#8230;<br />
frost, thicker than the glass I&#8217;m hacking it from.</p>
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		<item>
		<title>What do I say to Kirk?</title>
		<link>http://omahapoet.com/poetry/what-do-i-say-to-kirk/</link>
		<comments>http://omahapoet.com/poetry/what-do-i-say-to-kirk/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 15:45:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=549</guid>
		<description><![CDATA[

What do I say to Kirk?

I don&#8217;t know what to say to Kirk.
Kirk&#8217;s the problem.  You can explain
at length to the sad and the shocked,
but shaggy portly golden dogs have no
use for the science of mutation and bad luck.
If it doesn&#8217;t bounce, flap or smell like
food then Kirk just doesn&#8217;t get it.
He&#8217;s got that [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://alexsykie.com/wp-content/uploads/2009/11/S7300157.JPG" alt="Kirk" title="Kirk" width="380" height="219" class="alignnone size-full wp-image-550" /><br />
<br />
<strong>What do I say to Kirk?</strong><br />
<br />
I don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.  You can explain<br />
at length to the sad and the shocked,<br />
but shaggy portly golden dogs have no<br />
use for the science of mutation and bad luck.<br />
If it doesn&#8217;t bounce, flap or smell like<br />
food then Kirk just doesn&#8217;t get it.</p>
<p>He&#8217;s got that blankie still.  Rotted with the<br />
drool of comfort years and glazed with some<br />
real sweaty summers.  Snuggles it close as ever.<br />
An anchor in the squally seas of change.<br />
Creaks those cranky joints together with<br />
a huge Kirky-boy sigh and thumps himself<br />
into the cloth with squeezed-together eyes.<br />
I swear he used to smile.</p>
<p>Now he just rumbles on that blankie, day and night<br />
with those wobbly-paw half-yelps of him<br />
chasing down sleep sheep or some night rabbits.<br />
Or he just guards at that bottom window and sighs<br />
through his nose at the disappointments.  Waiting.<br />
Early days he&#8217;d point the flop from his ears,<br />
whiskers shivering, and bob his head like Ali if he heard<br />
a car coming  up the road.  It&#8217;s knocked the shine out of<br />
his eyes, all that fruitless checking and weaving.</p>
<p>Now all Kirk&#8217;s got left is the stare-and-stare, glassy eyed,<br />
into the distance.  Not a flicker except a blink to wet those<br />
big brown pleading pools.  But he hasn&#8217;t given up even though I&#8217;ve<br />
explained it all to him until we&#8217;ve both had enough and<br />
wack down by your couch. I&#8217;ve written to everyone else<br />
and told them, cancelled things, notified, crossed the T&#8217;s,<br />
but, I just don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.</p>
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		<item>
		<title>Lullaby</title>
		<link>http://omahapoet.com/poetry/lullaby/</link>
		<comments>http://omahapoet.com/poetry/lullaby/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 10:38:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[free verse]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=476</guid>
		<description><![CDATA[Part of the art of writing poetry is the ability to put yourself in the position of others or to create a believable fantasy world.  Poetry is sometimes the purest form of expression of the inner mind.  Sleep well.

The shadows hide things.
Malevolences who loom at the edges of my sleep.
As I start to [...]]]></description>
			<content:encoded><![CDATA[<p><em>Part of the art of writing poetry is the ability to put yourself in the position of others or to create a believable fantasy world.  Poetry is sometimes the purest form of expression of the inner mind.  Sleep well.<br />
</em></p>
<p>The shadows hide things.<br />
Malevolences who loom at the edges of my sleep.<br />
As I start to sink into the marshmallow quicksand of my bed<br />
they huddle, a gaggle of threats in the corners of the room, plotting.<br />
They know me.  They know the real me.<br />
The me that runs away from trouble.<br />
The me that&#8217;s scared of everything.<br />
Overspending me, lying me, cheating, crying me.<br />
I am deafened as they bang the drum of my heartbeat,<br />
a roaring, storming crashing sea of a pulse in my ears,<br />
relentless;<br />
beating, beating, beating, beating.<br />
Have mercy!<br />
The night terrors whirl slowly in from<br />
the menacing giant squid-ink black abyss<br />
of my bed-time sight.  Their voices whisper<br />
to me; &#8220;bereft, bereaved, bequeathed: the pain&#8221;.<br />
They creep their fingers into my mind<br />
and squeeze out the happy thoughts;<br />
&#8220;make way, make way for the doubts,<br />
clear out, clear out for the fears&#8221;.<br />
I shake my head, desparation shake,<br />
writhe to loosen their grip on me.<br />
Swhirling spirits, they gather themselves<br />
together, form into something dirty, something from<br />
the precipice pit come to feed on the sap of my soul;<br />
&#8220;we will riddle you, we will rack you&#8221;<br />
the zepherous whisper as I burn in their hell.<br />
&#8220;Money, money, money&#8221;, there&#8217;s the taunt.<br />
I&#8217;m forcing myself to think of beaches<br />
and sunshine, deep breaths, deep breaths, but<br />
they&#8217;re pulling at my tortured twitching legs again;<br />
&#8220;we have you&#8221;, the pain, the pain, the pain.</p>
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		<item>
		<title>Flowers stink</title>
		<link>http://omahapoet.com/poetry/flowers-stink/</link>
		<comments>http://omahapoet.com/poetry/flowers-stink/#comments</comments>
		<pubDate>Wed, 22 Apr 2009 08:56:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[short]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=388</guid>
		<description><![CDATA[The hayfever bitch has got me by the eyeballs and is forcing feathers up my nose and chilli-spiced gravel down my throat whilst she cackles.
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			<content:encoded><![CDATA[<p>The hayfever bitch has got me by the eyeballs and is forcing feathers up my nose and chilli-spiced gravel down my throat whilst she cackles.</p>
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		<item>
		<title>Friend</title>
		<link>http://omahapoet.com/poetry/friend/</link>
		<comments>http://omahapoet.com/poetry/friend/#comments</comments>
		<pubDate>Fri, 17 Apr 2009 16:57:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=385</guid>
		<description><![CDATA[This poem was written when I was playing around with the idea of Jack Kerouac&#8217;s stream of consciousness style and is really about the representation of deities and how every culture I know of has at least one &#8220;god&#8221;. I know it&#8217;s not what you would consider a &#8216;poem&#8217; in the traditional sense as it [...]]]></description>
			<content:encoded><![CDATA[<p>This poem was written when I was playing around with the idea of Jack Kerouac&#8217;s stream of consciousness style and is really about the representation of deities and how every culture I know of has at least one &#8220;god&#8221;. I know it&#8217;s not what you would consider a &#8216;poem&#8217; in the traditional sense as it is written in free or blank verse &#8211; I do write &#8220;proper poems&#8221; too like villanelles and sonnets but hey, something different is fun too.</p>
<p><strong>Friend</strong><br />
<a href="http://alexsykie.com/friend.mp3">Click this text to hear Alex read this poem</a><br />
This is the spirit of Kerouac. <a href="http://en.wikipedia.org/wiki/Hotel_Chelsea" target="_blank">Hotel Chelsea spirit</a>,<br />
English-style.</p>
<p>I mean it though. To you: <em>I used to call you friend</em>.</p>
<p>I cried and you listened to my sobbing.<br />
I laughed and the laughter bounced back.</p>
<p>And we lied about understanding.<br />
It was the easy thing to do.<br />
It wrestled with my rational side.</p>
<p>You were my morning friend. My good-time<br />
friend. My comfort.</p>
<p>I used to call you friend.</p>
<p>Do you remember the songs?</p>
<p>Happy, clappy songs.<br />
It wrestled with my rational side.</p>
<p>We were wreathed in sweet-smelling smoke<br />
and chimes. A childhood duty,<br />
kissing feet, wiping cloth, reading<br />
what we couldn&#8217;t do and never what we could.</p>
<p>Authorised words. Approved and translated.</p>
<p>Then songs about being happy to die because<br />
there would be something there. A song relying<br />
on trust. A tussle with my rational side.</p>
<p>You were never my rock standing in a sand-filled<br />
desert, filled with emptiness. You were never<br />
the hand that guided the art.</p>
<p>White man. White woman. Nails in the wrong places.</p>
<p>Olive in the skin. Oil on the hair. Painted<br />
by the gentiles.</p>
<p>Words that banned things. Stipulations,<br />
prostrations by action and abstention,<br />
by observance in reverence. Until the difference<br />
between the free and those who still listened<br />
grew greater in my mind.</p>
<p>And the difference between the free and me<br />
became so paper-thin you could rub your<br />
fingers through it and they would touch.</p>
<p>Such a fine gap. It wrestled with my<br />
rational side.</p>
<p>Move on move on. More wraiths of smoke.<br />
Breath in for peace, hold and release.<br />
Breath in for solace, for solace, for solace.</p>
<p>Mind walks, takes a run up and jumps into the<br />
dream sky of possibilities.</p>
<p>Made our friendship look very different.<br />
Less rules, more creativity. More of<br />
everything: colours, creeds, good and bad.</p>
<p><em>I used to call you my friend</em>.</p>
<p>Breathed in, moved to the jungle beat.<br />
Made our friendship look very very very different.<br />
Gave you a new face, a new size.</p>
<p>I danced in the warehouse. I danced in the street.<br />
Everybody was there but I was on my own.</p>
<p>Then I hugged the trees. I squeezed their bark<br />
and ran my hands up and down them; my connectors<br />
to the Earth, a divination of you. Stroking them<br />
with my palms and hugging the hard woody trunk like<br />
a lover come back from a long journey and you don&#8217;t<br />
want to let them go.</p>
<p>Your face looked so very very different and you<br />
lived everywhere <em>and you were truly beautiful</em>.</p>
<p>It wrestled with my rational side. </p>
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