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<channel>
	<title>Ian Barker &#187; sad</title>
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	<description>Poetry and prose</description>
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			<item>
		<title>Run the other way</title>
		<link>http://omahapoet.com/poetry/run-the-other-way/</link>
		<comments>http://omahapoet.com/poetry/run-the-other-way/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 18:46:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[anti-war]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[patriotic]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=617</guid>
		<description><![CDATA[For a special kind of people&#8230;
To the sound of screaming,
turns the eyes and the ears of the ordinary
agape in horror at the desperation of a jumper
as he splashes through the glass
fixing a final flickering gaze on tear-welling faces who,
with tightened lips let pass a whimper &#8220;oh no, oh no oh no&#8221;.
The rain of rock crashes [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2001/09/12/nyregion/12RESC.html" target="_blank"><i>For a special kind of people&#8230;</i></a></p>
<p>To the sound of screaming,<br />
turns the eyes and the ears of the ordinary<br />
agape in horror at the desperation of a jumper<br />
as he splashes through the glass<br />
fixing a final flickering gaze on tear-welling faces who,<br />
with tightened lips let pass a whimper &#8220;oh no, oh no oh no&#8221;.<br />
The rain of rock crashes chase away trivial reality,<br />
the lattes, the must-do meetings,<br />
the synchronization of calendars<br />
in a kerosene flash; thanks to religious brutality.<br />
There, urgent amongst the<br />
surging clouds are those in<br />
black turned gray.  Gold-hatted<br />
knights who shout for your own good.<br />
Scared like the brokers,<br />
fathers like the chairmen,<br />
rushing like the insurers<br />
but they choose to run the other way.</p>
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		</item>
		<item>
		<title>I often pause to think of others</title>
		<link>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/</link>
		<comments>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:33:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[romantic]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=598</guid>
		<description><![CDATA[Click this text to hear Alex read this poem
I often pause to think of others.
Like the couple on Beak Street I saw leaning
in against the March wind, pinching
still-fitting 1970&#8217;s smeary gabardine
mackintoshes around them like over-stuffed
sausage casings.
He; gaunt and with that sunken on-the-way
from this life look, she; rotund and
waddling with cheap home perm flattened
under a clear [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/Ioftenpausetothinkofothers.mp3">Click this text to hear Alex read this poem</a></p>
<p>I often pause to think of others.<br />
Like the couple on Beak Street I saw leaning<br />
in against the March wind, pinching<br />
still-fitting 1970&#8217;s smeary gabardine<br />
mackintoshes around them like over-stuffed<br />
sausage casings.</p>
<p>He; gaunt and with that sunken on-the-way<br />
from this life look, she; rotund and<br />
waddling with cheap home perm flattened<br />
under a clear plastic penny market rain<br />
hood whilst her free hand drags a<br />
shopping trolley between them both like<br />
an unruly and unwilling square tartan-coated pet.</p>
<p>She chose to wear those opaque tan tights<br />
and they are so cliche, aren&#8217;t they,<br />
with her seen-better-days blue brogue comfortable shoes<br />
which shuffle shuffle and scuff along<br />
next to the groceries and the gray nearly-ghost.</p>
<p>He looks like a man who has resolved to<br />
hang on a day longer if he can, for her<br />
sake, or for someone&#8217;s sake if not hers.<br />
I&#8217;m sure it&#8217;s not for his.</p>
<p>His gaping-mouthed breath, like it<br />
must sound loud enough to startle although<br />
the bus window and the rattle of empty seats<br />
mask it from me, sucks his cheeks in and out<br />
with the effort and I see his eyes scrunch<br />
up unseen as he keeps up her pace which he taps<br />
out with a walking stick, stomp, stomp,<br />
stomp like he is grinding out cigarette butts<br />
with every step.</p>
<p>To where and why do they walk so painfully<br />
in this bouncing rain?  What are their<br />
names?  Is this yesterday&#8217;s sour wine of<br />
relationships I see through the dragon puff<br />
of diesel exhaust or a glorious culmination?<br />
Or perhaps mainly their reality, unpoetic and<br />
unremarkable except to someone like me who<br />
often pauses to think of others.</p>
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<enclosure url="http://alexsykie.com/the-farmers-boy.mp3" length="3659365" type="audio/mpeg" />
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		</item>
		<item>
		<title>Porcelain Princess</title>
		<link>http://omahapoet.com/poetry/porcelain-princess/</link>
		<comments>http://omahapoet.com/poetry/porcelain-princess/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 14:43:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=587</guid>
		<description><![CDATA[The drips on her nails say &#8220;busy today&#8221;
like the chips on the paintwork that she drives away.
She&#8217;s the porcelain princess who&#8217;s tougher than stone
with a soft-centred middle right down to the bone.
If you cross or transgress her she&#8217;ll smash you to bits
this girl is a tigress with a pole-dancer&#8217;s hips.
She&#8217;s learnt to be fearsome , [...]]]></description>
			<content:encoded><![CDATA[<p>The drips on her nails say &#8220;busy today&#8221;<br />
like the chips on the paintwork that she drives away.<br />
She&#8217;s the porcelain princess who&#8217;s tougher than stone<br />
with a soft-centred middle right down to the bone.</p>
<p>If you cross or transgress her she&#8217;ll smash you to bits<br />
this girl is a tigress with a pole-dancer&#8217;s hips.<br />
She&#8217;s learnt to be fearsome , she&#8217;s learnt to be curt<br />
this way is far better, she&#8217;s harder to hurt.</p>
<p>She spits at the people who&#8217;re full of conceit<br />
and she loathes the liars, those full of deceit.<br />
See, once you&#8217;ve been bitten when expecting a kiss<br />
the lesson you learn is: give love a miss.</p>
<p>But this hardness is wrapped in the green of an angel<br />
that strides towards doors of the sick and unable<br />
where she washes the needy, unseen by our eyes<br />
and caresses the hands of the ready to die.</p>
<p>The mad, the unwanted, the babbling few,<br />
the burdensome, the quarrelsome, the too sick to move.<br />
She bites on her lip to snip off her feelings<br />
as she doles out compassion and makes life have meaning.</p>
<p>Then slips into darkness with the turn of her key<br />
and returns to her gremlin and slumps for TV<br />
where, lulled by the warmth and fatigue of long days<br />
she drifts off to sleep, it&#8217;s better that way.</p>
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		<item>
		<title>What do I say to Kirk?</title>
		<link>http://omahapoet.com/poetry/what-do-i-say-to-kirk/</link>
		<comments>http://omahapoet.com/poetry/what-do-i-say-to-kirk/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 15:45:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=549</guid>
		<description><![CDATA[

What do I say to Kirk?

I don&#8217;t know what to say to Kirk.
Kirk&#8217;s the problem.  You can explain
at length to the sad and the shocked,
but shaggy portly golden dogs have no
use for the science of mutation and bad luck.
If it doesn&#8217;t bounce, flap or smell like
food then Kirk just doesn&#8217;t get it.
He&#8217;s got that [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://alexsykie.com/wp-content/uploads/2009/11/S7300157.JPG" alt="Kirk" title="Kirk" width="380" height="219" class="alignnone size-full wp-image-550" /><br />
<br />
<strong>What do I say to Kirk?</strong><br />
<br />
I don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.  You can explain<br />
at length to the sad and the shocked,<br />
but shaggy portly golden dogs have no<br />
use for the science of mutation and bad luck.<br />
If it doesn&#8217;t bounce, flap or smell like<br />
food then Kirk just doesn&#8217;t get it.</p>
<p>He&#8217;s got that blankie still.  Rotted with the<br />
drool of comfort years and glazed with some<br />
real sweaty summers.  Snuggles it close as ever.<br />
An anchor in the squally seas of change.<br />
Creaks those cranky joints together with<br />
a huge Kirky-boy sigh and thumps himself<br />
into the cloth with squeezed-together eyes.<br />
I swear he used to smile.</p>
<p>Now he just rumbles on that blankie, day and night<br />
with those wobbly-paw half-yelps of him<br />
chasing down sleep sheep or some night rabbits.<br />
Or he just guards at that bottom window and sighs<br />
through his nose at the disappointments.  Waiting.<br />
Early days he&#8217;d point the flop from his ears,<br />
whiskers shivering, and bob his head like Ali if he heard<br />
a car coming  up the road.  It&#8217;s knocked the shine out of<br />
his eyes, all that fruitless checking and weaving.</p>
<p>Now all Kirk&#8217;s got left is the stare-and-stare, glassy eyed,<br />
into the distance.  Not a flicker except a blink to wet those<br />
big brown pleading pools.  But he hasn&#8217;t given up even though I&#8217;ve<br />
explained it all to him until we&#8217;ve both had enough and<br />
wack down by your couch. I&#8217;ve written to everyone else<br />
and told them, cancelled things, notified, crossed the T&#8217;s,<br />
but, I just don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.</p>
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		<item>
		<title>The farmer&#8217;s boy</title>
		<link>http://omahapoet.com/poetry/the-farmers-boy/</link>
		<comments>http://omahapoet.com/poetry/the-farmers-boy/#comments</comments>
		<pubDate>Thu, 30 Jul 2009 10:30:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[eulogy]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=499</guid>
		<description><![CDATA[

For Redvers


Click this text to hear Alex read this poem
The dancing blades of grass which,
in our better lean years
stretched up spiked to tickle
hiking fingers or grew shaped for
oat-ear darts that in innocent minds
could take out a schoolboy eye.
Others too grew flat and wide to make
good cat-calls stretched between
thumbs that knew the art.
They join the Ham [...]]]></description>
			<content:encoded><![CDATA[<p><small><br />
<b><br />
For <a href="http://www.thamesvalley.police.uk/newsevents/newsevents-pressreleases/newsevents-pressreleases-item.htm?id=96640" target="_blank">Redvers</a><br />
</b><br />
</small><br />
<a href="http://alexsykie.com/the-farmers-boy.mp3">Click this text to hear Alex read this poem</a><br />
The dancing blades of grass which,<br />
in our better lean years<br />
stretched up spiked to tickle<br />
hiking fingers or grew shaped for<br />
oat-ear darts that in innocent minds<br />
could take out a schoolboy eye.<br />
Others too grew flat and wide to make<br />
good cat-calls stretched between<br />
thumbs that knew the art.<br />
They join the Ham Hill breeze with us<br />
in a mournful goodbye dance of eulogy to you.</p>
<p>These long-trodden ruts, with mud like pitch<br />
by farming day and ankle-snapping wallows by<br />
wartime night sucked at your boots and swallowed<br />
the uncapped cigarettes of the part-time tommys<br />
who perched, bayonets ready, over the vents of the<br />
train tunnels.  This Summer they bake stone-dry<br />
undisturbed by you.</p>
<p>The secret corners of the meadows, like skirts unhitched<br />
unbuttoned cloaks, let you pick, giggling,<br />
your mushroom breakfast like that day we carried<br />
them back triumphantly as victor&#8217;s trophies now<br />
sit doleful and forgotten for wont of you.</p>
<p>And above the moor is the startled cry which<br />
shrieks from the fluttering height of a hawk breed<br />
called by a name none of us left can can bring to mind<br />
yet it sprang to your smiling lips as easy as your<br />
rambler&#8217;s stride outpaced us all; though you told me<br />
and we rehearsed the right Somerset burr it passed<br />
through my memory and out the other side.<br />
I should have listened to you.</p>
<p>This Winter, when the hail fills the ditch<br />
and the narrow snake lanes are drawn again<br />
in pastel shades of frost and and the crows<br />
shiver in the bare trees at the bite of a<br />
bone-cutting wind, who will remember to crack ice<br />
on the pond for the fishes if it&#8217;s not you?</p>
<p>When classes gather on rowdy trips,<br />
chattering school days out poke at the<br />
billhook and scythe on the hitch,<br />
and with murmuring lips rehearse<br />
the curls of a brogue tongue we&#8217;ve lost and<br />
peer at the ruddy-faced sepia snaps of smocked men<br />
crushed by the effort of lofting up those hand-built<br />
hayricks, will they know one of the little boys was you?</p>
<p>Who is left to remember the willow switch<br />
the strike of which peeled the smell<br />
of the sweat steam from mud-dusty hide<br />
to tear the plough through cake-crumb<br />
soil with shrill pursed two-fingered whistles and<br />
shouts of &#8220;here boys&#8221; and &#8220;walk on&#8221; to<br />
plait the criss-cross pattern<br />
of our farmland fit to burst later with Autumn<br />
plenty if the who is not to be you?</p>
<p>How will we know the ways of every niche<br />
to string the berry-bearing twine amongst<br />
the nooks and crannys of glass or the bud<br />
to tweak or root to lift and clumping ball<br />
to split? The way to cast, broad and measured<br />
in a cupped hand gnarled by ungloved labour<br />
sleeps unwritten with you.</p>
<p>The joys of horse and rattling, rich<br />
reward for boyhood toil, bucking cart,<br />
riding high on the hay, your father pacing<br />
at the rein; a tiny returning champion, skin<br />
like leather; all now squared into an oil fairytale<br />
to perch in maidenless parlours and picturesque<br />
postcards who know nothing of you.</p>
<p>I knew you.  I will remember.</p>
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		<item>
		<title>Zombie</title>
		<link>http://omahapoet.com/poetry/zombie/</link>
		<comments>http://omahapoet.com/poetry/zombie/#comments</comments>
		<pubDate>Sun, 15 Feb 2009 00:50:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=297</guid>
		<description><![CDATA[Click this text to hear Alex read this poem
Guide me, tell me what the sickness is.
Is your stare the look of mortal sin,
that richter grin on your clammy skin?
Tell me, is that the look of tempted fate,
the fatal conclusion of the all too late?
Tell me, can I do something, can I sooth
the thing that eats [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/zombie.mp3">Click this text to hear Alex read this poem</a></p>
<p>Guide me, tell me what the sickness is.<br />
Is your stare the look of mortal sin,<br />
that richter grin on your clammy skin?<br />
Tell me, is that the look of tempted fate,<br />
the fatal conclusion of the all too late?<br />
Tell me, can I do something, can I sooth<br />
the thing that eats your heart, can I kill the<br />
demons on your behalf?<br />
We were so good together, we fought the<br />
world and nothing could beat us, we<br />
were the ones they said would last,<br />
we were the ones who set the pace,<br />
we were the ones who&#8217;d win the race.<br />
Tell me, are you still in there?<br />
Did we get caught by the snare of<br />
the evil vixen, warmed up witch with a<br />
bloody mixer?<br />
Is the person I met so long ago<br />
breathing the breath of the living<br />
death or do you still flicker your<br />
fires behind those glassy eyes?</p>
<p>Show me, show me something to give<br />
some hope.</p>
<p>Let me know that you&#8217;re not<br />
lost, that the bridge too far has not been<br />
crossed.  We were so good together, we fought them<br />
all, the biggest problems, we led the way<br />
and the others followed, we were the ones<br />
with the bright tomorrow.<br />
Have you left me?  Are you gone forever?<br />
Hand in hand with your smokey satan?<br />
Did the odds beat you, have you lost the<br />
game?  Will things ever be the same?<br />
We were so good together, we fought the world<br />
and nothing could beat us, we were the ones<br />
they said would last but the flames and spoon<br />
were just too fast, you poked the hole<br />
but they set the pace, led you to the call<br />
of the inner space.<br />
The deceitful warmth of its other world womb<br />
hides the fact it&#8217;s your living tomb; we&#8217;ll<br />
pull the works from your skinny limbs,<br />
pump in life and earthly things,<br />
but the call of the siren&#8217;s song goes on<br />
and carries your mind to the world beyond.<br />
A place where nether creatures fly<br />
where shaking needle wielders die<br />
and sparks of love, of happy days<br />
are wiped away by their wicked ways.<br />
You&#8217;re set adrift on darkened water<br />
because you chose to kiss the devil&#8217;s daughter.</p>
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		<item>
		<title>Cassie&#8217;s Park</title>
		<link>http://omahapoet.com/poetry/cassies-park/</link>
		<comments>http://omahapoet.com/poetry/cassies-park/#comments</comments>
		<pubDate>Sat, 17 Jan 2009 20:22:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=271</guid>
		<description><![CDATA[Hear it read by the author
Today we go to Cassie&#8217;s Park
we go to lay the wefted sheet;
the Christmas love her parents give.
Today she runs amongst our minds
and plays upon the hill
the little girl in guarded hearts
who lives amongst us still.
She never had her running start
a wisp of here and gone.
Denied her chance to make mistakes,
a [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Cassies Park - read by Alex Sykie" href="http://alexsykie.com/cassiespark.mp3" target="_blank">Hear it read by the author</a></p>
<p>Today we go to Cassie&#8217;s Park<br />
we go to lay the wefted sheet;<br />
the Christmas love her parents give.</p>
<p>Today she runs amongst our minds<br />
and plays upon the hill<br />
the little girl in guarded hearts<br />
who lives amongst us still.</p>
<p>She never had her running start<br />
a wisp of here and gone.<br />
Denied her chance to make mistakes,<br />
a brief but shining light.</p>
<p>In Cassie&#8217;s Park, we stoop and<br />
brush the autumn leaves and twigs<br />
and shed a tear, we brush from cheeks<br />
all reddened from the cold.</p>
<p>In Cassie&#8217;s Park, in Cassie&#8217;s Park<br />
there&#8217;s a hundred years of love.<br />
Of folks who came and stayed a while<br />
and left us names in stone.  The<br />
builders of our country,<br />
the merchants of our youth,<br />
the moms and dads and kith<br />
and kin; we let all our<br />
loved ones in.</p>
<p>But tiny tiny, amongst the trees<br />
is one be-jewelled corner<br />
where Cassie lays for all our days<br />
still loved and not forgotten.</p>
<p>So when your Christmas bird is cooked<br />
and laid upon your table,<br />
please raise a glass<br />
and toast the past that<br />
graces Cassie&#8217;s Park.</p>
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		<item>
		<title>Walking with my black friend</title>
		<link>http://omahapoet.com/poetry/walking-with-my-black-friend/</link>
		<comments>http://omahapoet.com/poetry/walking-with-my-black-friend/#comments</comments>
		<pubDate>Sun, 26 Oct 2008 23:31:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=235</guid>
		<description><![CDATA[Walking with my black friend,
It doesn’t happen every day.
From the same kind of background
he’s so “different” and “exciting”
In that dangerous way.
My black friend’s unwelcome at all polite places
Or in meetings at offices
And at the functions where listening is “easy”
And piped into nice spaces.
My black friend – him and I – we have history
That covers our [...]]]></description>
			<content:encoded><![CDATA[<p>Walking with my black friend,<br />
It doesn’t happen every day.<br />
From the same kind of background<br />
he’s so “different” and “exciting”<br />
In that dangerous way.</p>
<p>My black friend’s unwelcome at all polite places<br />
Or in meetings at offices<br />
And at the functions where listening is “easy”<br />
And piped into nice spaces.</p>
<p>My black friend – him and I – we have history<br />
That covers our schooldays<br />
and tinted our teen years<br />
and made me forgetful<br />
and scared off my feelings.<br />
He’s a best-hidden secret<br />
Disguised and imprisoned<br />
Avoiding the scorn<br />
of our impressionable peers.</p>
<p>I took steps to avoid him<br />
Changed jobs and careers<br />
Hid all his details<br />
denied his existence.<br />
But despite my efforts<br />
he found me<br />
You must admire his persistence!</p>
<p>He met me at work<br />
some time back<br />
And shocked all my colleagues<br />
(They didn’t know he was black).</p>
<p>He said the wrong thing<br />
In an attempt to amuse<br />
Which backfired terribly<br />
A result of the booze.</p>
<p>After, things deteriorated<br />
and he became more perverse<br />
forcing me to take steps<br />
to ignore him<br />
- he just acted worse.</p>
<p>So we both sought counselling<br />
To fix the big split<br />
But mistakenly selected<br />
A prejudiced git<br />
With the only suggestion,<br />
well meaning I’m sure:<br />
to take stronger drugs<br />
And to learn to ignore<br />
The black man who tracks<br />
Me at work and stands<br />
Looking soulful<br />
at my closely-locked door<br />
which he cannot go through</p>
<p>He presses home his opinions<br />
However extreme or innate<br />
And encourages me to feelings<br />
Full of bile and pure hate.</p>
<p>But perhaps with this confessor<br />
My black friend and I<br />
We should have been honest<br />
More open and true<br />
And told the full story<br />
Of a life coloured blue<br />
With a useless black partner<br />
And a man lost to age<br />
And a request for deliverance<br />
That fills up the page<br />
Long lost, unread<br />
Which started its journey<br />
inside my head.</p>
<p>We tried an arrangement,<br />
my black man and I<br />
and went off without saying<br />
A word of goodbye.<br />
And for a long time,<br />
I alone ruled<br />
And everything was “cushty”<br />
“Even stevens”<br />
It was “cool”.</p>
<p>That is &#8217;til just recent<br />
A chance event brought along<br />
The circumstances needed<br />
For his return, to belong.<br />
He’s sitting here typing<br />
Whilst I watch from behind<br />
Those black man’s eyes<br />
A cowardly witness to crime.</p>
<p>To those of you reading<br />
And decrying the words<br />
with political correctness<br />
and observational verve<br />
you’re missing the bleeding<br />
and the intellectual burn<br />
of a dysfunctional,<br />
thinking,<br />
emotional,<br />
worm.</p>
<p>And in a way that’s the point,<br />
If you’re looking for reason,<br />
That perhaps it’s time<br />
For a black friend season<br />
When with help in a manner<br />
Which borders on murder<br />
Your brain commits crimes<br />
Of unspeakable glamour<br />
With a depth and a character<br />
Too bold to be useful<br />
To a black mannered mood<br />
That becomes utterly crucial.</p>
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		<item>
		<title>Unfinished love</title>
		<link>http://omahapoet.com/poetry/unfinished-love/</link>
		<comments>http://omahapoet.com/poetry/unfinished-love/#comments</comments>
		<pubDate>Sun, 26 Oct 2008 23:26:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=233</guid>
		<description><![CDATA[How fleet is your nature.
A misty whisp that swirls at my words.
A flickering flame to lick at my feet
and scorch at me as our lips, on secret fire,
brush in our kiss.
An unquenchable beast fuelled by
passionate coals
lit once
by another
and forever
burning
You are this in a moment.
A brief and salty moment.
As we soak the sheets
wet through
with our sweat
rung [...]]]></description>
			<content:encoded><![CDATA[<p>How fleet is your nature.<br />
A misty whisp that swirls at my words.<br />
A flickering flame to lick at my feet<br />
and scorch at me as our lips, on secret fire,<br />
brush in our kiss.<br />
An unquenchable beast fuelled by<br />
passionate coals<br />
lit once<br />
by another<br />
and forever<br />
burning</p>
<p>You are this in a moment.<br />
A brief and salty moment.<br />
As we soak the sheets<br />
wet through<br />
with our sweat</p>
<p>rung out</p>
<p>from the heat of the flames.</p>
<p>But the fire, so hot, burns<br />
too bright<br />
bright like a sun glint on glass in my eyes<br />
hot like a furnace</p>
<p>crucible hot</p>
<p>ore meltingly hot.</p>
<p>It eats all it can<br />
find.</p>
<p>Until the fresh fire logs I bring<br />
no longer feed it<br />
and the tinder crackles<br />
and spits.</p>
<p>Until the flames shrink and grow small<br />
and glow until they</p>
<p>nearly exist</p>
<p>and the heat turns to a warmth<br />
and the ashes whiten<br />
and blow</p>
<p>in the winds of change.</p>
<p>Until the soot stains remain.</p>
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		<item>
		<title>Throw myself to the train</title>
		<link>http://omahapoet.com/poetry/throw-myself-to-the-train/</link>
		<comments>http://omahapoet.com/poetry/throw-myself-to-the-train/#comments</comments>
		<pubDate>Sun, 26 Oct 2008 23:19:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[cont]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=225</guid>
		<description><![CDATA[Fall into that sweet surrender,
clattering train wheels,
enveloping darkness, life&#8217;s final ending
Forty weeks of pain,
my tears for my daughter,
I&#8217;ve cried two rivers
her children, gone too,
I&#8217;m crying again.
The lights are gliding towards me.
I thought there would be more noise,
for this violence,
an ending that will make the press.
I&#8217;m slipping towards the track,
with the wheels making their advance
and releasing [...]]]></description>
			<content:encoded><![CDATA[<p>Fall into that sweet surrender,<br />
clattering train wheels,<br />
enveloping darkness, life&#8217;s final ending<br />
Forty weeks of pain,<br />
my tears for my daughter,<br />
I&#8217;ve cried two rivers<br />
her children, gone too,<br />
I&#8217;m crying again.<br />
The lights are gliding towards me.<br />
I thought there would be more noise,<br />
for this violence,<br />
an ending that will make the press.<br />
I&#8217;m slipping towards the track,<br />
with the wheels making their advance<br />
and releasing me from the rack<br />
to go on and on as a frozen picture<br />
this evening&#8217;s news, at a guess.<br />
Headlines, inch high at the stations,<br />
forty pence,<br />
for these revelations,<br />
tragic stories of my children,<br />
murdered once,<br />
by one of their parents<br />
in a killing spree of selfish<br />
proportions<br />
that titillate and shock<br />
our commuters and station&#8217;s patrons.<br />
Mina threw herself to the train<br />
killing her kids in her arms<br />
murder, just the same.<br />
Without excuse and totally to blame<br />
and directly resulted in her mother&#8217;s<br />
death,<br />
thrown to the railway<br />
in the same vein.</p>
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